The Latest

Jul 22, 2014 / 38 notes

(via sedgvvick)

Jul 22, 2014 / 25,474 notes

frequentcryersclub:

andtheyfightcrime:

thecutestofthecute:

Bubu The Chinchilla 

cute_bubu’s Profile • Instagram

TOTORO IS REAL, Y’ALL

"BEEP BEEP MOTHERFUCKER"

Jul 22, 2014 / 270 notes

imnotapunk:

mattyberninger:

favorite songs of all time. ever. (35/?)

clampdown by the clash.

Let fury have the hour, anger can be power
Do you know that you can use it?

The song’s lyrics, written by Joe Strummer, refers to the failures of capitalist society. The wearing of the “blue and brown” refers to the color of the uniforms that are mostly worn by workers. This idea goes along with lyrics that refer to “young believers” who are brought and bought into the capital system by those “working for the clampdown” who will “teach with twisted speech.”

Ditto

sucm:

why he lick me
Jul 22, 2014 / 216,772 notes

sucm:

why he lick me

(via frequentcryersclub)

Jul 22, 2014 / 5,806 notes
rumikokoyanagi:

A 16 year old Sid Vicious going to a David Bowie concert at Earls Court, 1973
Jul 22, 2014 / 1,556 notes

rumikokoyanagi:

A 16 year old Sid Vicious going to a David Bowie concert at Earls Court, 1973

(via tymondogg)

dont-call-me-meg:

Joe strummer by Pennie Smith, 1981
Jul 22, 2014 / 82 notes

dont-call-me-meg:

Joe strummer by Pennie Smith, 1981

(via strummingleo)

Jul 22, 2014 / 4,253 notes

Submarine (2010) dir. Richard Ayoade

(via luxuryskeletons)

Jul 22, 2014 / 193 notes

(via tymondogg)

Jul 22, 2014 / 39,768 notes
  • baby: d-d-d-d
  • dad: daddy?
  • baby: destroy capitalism
  • karl marx: nice
Jul 22, 2014 / 45,803 notes
Jul 22, 2014 / 182,370 notes

iguanamouth:

youre gonna look so goddamn cool

(via disgracefulheart)

Jul 22, 2014 / 1 note

FLDHALSDJFASD FUCK YESSSSDŚ

I AM GOING TO COMICCON ON SATURDAY

Jul 22, 2014 / 2,713 notes

The photography of William Eggleston

A native Southerner raised on a cotton plantation in the Mississippi Delta, Eggleston has created a singular portrait of his native South since the late 1960s. After discovering photography in the early 1960s, he abandoned a traditional education and instead learned from photographically illustrated books by Walker Evans, Henri Cartier-Bresson, and Robert Frank. Although he began his career making black-and-white images, he soon abandoned them to experiment with color technology to record experiences in more sensual and accurate terms at a time when color photography was largely confined to commercial advertising. In 1976 with the support of John Szarkowski, the influential photography historian, critic, and curator, Eggleston mounted “Color Photographs” a now famous exhibition of his work at the Museum of Modern Art, New York. William Eggleston’s Guide , in which Szarkowski called Eggleston’s photographs “perfect,” accompanied this groundbreaking one-person show that established his reputation as a pioneer of color photography. His subjects were mundane, everyday, often trivial, so that the real subject was seen to be color itself. These images helped establish Eggleston as one of the first non-commercial photographers working in color and inspired a new generation of photographers, as well as filmmakers. 

Eggleston has published his work extensively. He continues to live and work in Memphis, and travels considerably for photographic projects. (x)

(via sedgvvick)